Dora García The Sinthome Score
Kunsthaus Bregenz
19|10|2013-12|01|2014
The Spanish artist Dora García’s conceptual works comprise texts, photographs, films, performances, and installations, frequently involving actors from the fields of performance or theater as well as members of the audience.
Barbara Kruger Believe + Doubt
Kunsthaus Bregenz
19|10|2013-12|01|2014
Few artists have succeeded in treating the ambivalent effects of the mass media and their powers of persuasion in impressive works of art so cogently and variously as Barbara Kruger has done for more than four decades now. So it is no surprise that she is represented in major museum collections worldwide and enjoys broad public attention through exhibitions at renowned institutions.
James Welling – Autograph
Fotomuseum Winterthur
30.11.2013-16.02.2014
James Welling (*1951) is an artist whose work occupies the grey areas between painting, sculpture, and traditional photography. For over 40 years his work has addressed the theme of representation and abstraction in the visual image. By critics, artists, and collectors alike he is considered a central figure in international contemporary photography. In addition to presenting Welling’s documentary oriented work, which follows the tradition of classical artistic photography, as exemplified by the work of Paul Strand, the exhibition Autograph also includes his abstract photograms, which recall works by avant-garde artists, such as Moholy-Nagy, Christian Schad, and Man Ray.
Marisa Merz
Serpentine Gallery
28 September 2013 – 10 November 2013
We are pleased to present the first solo exhibition in a UK public institution of the work of artist Marisa Merz (born 1926, Turin, Italy), which includes a selection of sculptures, paintings and installations from across her remarkable fifty year career. This exhibition, the artist’s first since winning the Golden Lion for Lifetime Achievement at the 2013 Venice Biennale, takes place in the Serpentine Gallery, and will be one of two opening shows for the newly launched Serpentine Galleries. The other, Adrián Villar Rojas, Today We Reboot the Planet, opens concurrently at the Serpentine Sackler Gallery.
Texas Impressionism: Branding with Brushstroke and Color, 1885-1935
Art Museum of Southeast Texas
September 27, 2013 – January 5, 2014
The Art Museum of Southeast Texas (AMSET) presents Texas Impressionism: Branding with Brushstroke and Color, 1885-1935, a vibrant group exhibition organized by the Panhandle-Plains Historical Museum and on view Sept. 27, 2013 through Jan. 5, 2014 showcasing Texas artists who contributed to American Impressionism.
LAS CRUCES, N.M., Oct. 10, 2013 /PRNewswire/ — A lifelong passion for the Mexican culture and a fascination with the Dia de Los Muertos holiday led artist-designer Wayne Hilton to create the Hermosos Huesos project. Hermosos Huesos, which poetically translates to beautiful bones, is a thirteen piece art installation featuring intricately hand-crafted, mixed-media figures called Las […]
Andreas Urteil
Belvedere
Nov 6, 2013
For November 2013, the Belvedere is planning an exhibition on the oeuvre of
Andreas Urteil, who as a student and assistant of Fritz Wotruba conceived a strikingly autonomous early work that attracted a lot of attention.
FOCUS: Terry Haggerty
Modern Art Museum of Fort Worth
November 17, 2013-January 5, 2014
The first Director’s Council FOCUS exhibition for the 2013-2014 season features the work of artist Terry Haggerty. The exhibition will present a selection of new works.
Cindy Sherman – Untitled Horrors
Moderna Museet
19 October, 2013 – 19 January, 2014
Cindy Sherman is one of the most important artists today. Since her breakthrough in the early 1980s, she has revolutionised both contemporary art and attitudes to photography. Sherman’s works have had a profound impact on our ideas of the construction of identity, and on the mythogenic power of pictures. The exhibition Cindy Sherman – Untitled Horrors emphasises the undercurrent of horror and fascination that runs through Sherman’s entire output.
Ann Shelton: doublethink
Govett-Brewster Art Gallery
28 September 2013 – 2 February 2014
On 18 November 1982, educated anarchist and young activist Neil Roberts took a planned, radical and finite step; he attempted to blow up the “Wanganui Computer” at Wairere House on the Whanganui River. A then-powerful symbol of ‘Big Brother’, the computer was the physical manifestation of the New Zealand Government’s first foray into archiving digital data on its citizens.
Pusenkoff & Pusenkoff. After Reality.
Gogolevsky 10, Moscow
October 9 – November 10, 2013
After Reality refers the viewers to the theory of abstract grid associated with the names of Piet Mondrian, Sol LeWitt, Chuck Close, Bridget Riley and Agnes Martin. Arguing against the classics of the twentieth century, Pusenkoff & Pusenkoff withdrawn their version of the theory.
American moderns, 1910–1960: from O’Keeffe to Rockwell
Delaware Art Museum
October 12, 2013 – January 5, 2014
Drawn from the Brooklyn Museum’s renowned American art collection, this exhibition features 57 paintings and sculptures that highlight changes in American art and culture during the fascinating half-century from 1910 through 1960. The works of art on view were produced by leading artists of the day, including Georgia O’Keeffe, Milton Avery, Marsden Hartley, Stuart Davis, Arthur Dove, Rockwell Kent, Joseph Stella, Grandma Moses, and Norman Rockwell.