Articles tagged with: Malmö
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Alexander Gutke
Malmö Kunsthall
17 March – 10 June 2012
Alexander Gutke (born 1971) works within the conceptual and minimalist tradition. Cameras, film- and slide projectors are some of the main components in his art practice. Gutke uses them to explore space, light, shade, darkness and the infinity of the void. He investigates these technical apparatuses as objects and mechanical devices, and uses them as tools and objects in his works and narrative – creating a visual illusionism and a poetic and mystical materialism.
exhibitions, Featured, Headline »
Tauba Auerbach – Tetrachromat
Malmö Kunsthall
17 March – 10 June 2012
In Tauba Auerbach’s work traditional distinctions between image, dimensionality and content collapse. Surface, specifically the larger issues surrounding topo¬logy, has been a central concern in her recent paintings, drawings, photographs and artist’s books. Auerbach interweaves discordant positions such as disorder and order, readability and abstraction, permeability and solidity – phenomena that are usually viewed as incompatible – into unified surfaces and volumes.
exhibitions, Featured, Headline »
CO Hultén: Anxiety and Craving
Moderna Museet Malmö
25 Feb-27 May, 2012
CO Hultén is a local pioneer who launched Malmö on the international art scene after the Second World War. This spring, Moderna Museet Malmö is featuring a major solo exhibition of the 95-year-old artist. This is a unique opportunity to study his output over 70 years, and the part he has played in Swedish art history.
exhibitions, Featured, Headline »
Ladies and Gentlemen! The Camera as a Mirror
Moderna Museet Malmö
18.2-22.4 2012
This spring Moderna Museet Malmö will be showing more than forty photographs from the period 1950-90 taken by leading artists such as Andy Warhol, Cindy Sherman, Robert Mapplethorpe, Samuel Fosso, Tracey Moffatt, and Elina Brotherus. The exhibition focuses on the art of portrait photography and how the artist in his or her studio creates images that depict people not just as they actually are, but also as they would like to appear.

